As March matures I find myself adding more greens to the color mix as they are finally popping out in the landscape here.
This month I have worked some new to me techniques of color effect in plain weave and some sumac variations that I have not tried before.
I have continued doing my red squares for the month designations so this month there are three for March.
Continuing with some of the techniques I have already tried like various hachure treatments and twill with ground weave has been helpful, as by now those things are coming pretty naturally to me.
March 1st employs variation 68 page 31, alternating color effects in plain weave and the contrast color here is used to create the path effect.
On the 2nd of March I wove a blue violet path using Variation 62 on page 30 which is a plain weave with brocaded inlay. I used a thinner yarn for the color effect and the final look is much more subtle than weaving a separate path in the BV would have been. In this technique the yarn is held to the back and picked up when needed which offers a lot of freedom as to how it is used. It was a very snowy day in Oklahoma!
On March 3 I used variation 63 with the color effect woven in gold. The main difference here is that two pattern wefts ( a complete pass) are laid between one or more plain weave wefts. Again a thinner weft is used for the pattern effect and the yarn is held to the back when not in use.
March 5th I began with some of the sumac variations. I use sumac quite a bit for outlining and adding detail but I wanted to try some of the more unusual variations in the book. On this day I used variation 79 page 34, a closed sumac which wraps around three warps and back one. Wrapping over three warps at a time gives a much more textural look.
On march 10 variation 88 page 36, the main difference here from the book is that I was working up a diagonal line rather than straight across as in the book diagram.
March 11 employs a little closed sumac and on the 12 another version of some plain weave with color effect, variation 66 page 31. On the 13th I used some closed sumac to outline the red violet path and on the 14th variation 77 page 33 shows a double line of closed sumac in blue violet wrapping up the hill instead straight across as in the book. I thought that was a nice textural effect.
On the 23rd of March I used a little plain sumac outlining again in the orange color.
There are still a few days left in March to experiment with more sumac variations that look interesting.
I took a couple more photos showing the three months together as I am enjoying the evolving color and pattern of the months joining together.
The plan is to finish the Sheep Breed Sampler and have it on display at the show. It is getting there and I have been working on a drawing for a new cartoon to take its place on the 16 inch Mirrix. I hope to see some of you there!